Secular Cantatas
- "Cantata per le nozze di Francesco I" for soloists, choir and orchestra (1808)
- "Der Tyroler Landsturm" for soprano, tenor, bass, choir and orchestra (1799)
- "Die vier Tageszeiten" for choir and orchestra (1819)
- "Du, dieses Bundes Fels" for choir and orchestra
- "Habsburg" for tenor, bass, choir and orchestra (1805/06)
- "Il Trionfo della Gloria e della Virtù" for two sopranos, tenor, choir and orchestra (1774 or 1775)
- "La Riconoscenza" for soprano, choir of five voices and orchestra (1796)
- "La Riconoscenza de' Tirolesi" for choir and Orchester (1800)
- "La Sconfitta di Borea" for soloists, choir and orchestra (1774 or 1775)
- "Lasset uns nahen alle" for tenor, bass, choir and Orchester
- "Le Jugement dernier" for tenor, choir and orchestra (1787/88)
- "L'Oracolo muto" for soloists, choir and orchestra (1802/03)
- "Wie eine purpur Blume" for two sopranos, choir and orchestra
Read more about this topic: List Of Compositions By Antonio Salieri
Famous quotes containing the word secular:
“... the generation of the 20s was truly secular in that it still knew its theology and its varieties of religious experience. We are post-secular, inventing new faiths, without any sense of organizing truths. The truths we accept are so multiple that honesty becomes little more than a strategy by which you manage your tendencies toward duplicity.”
—Ann Douglas (b. 1942)