Films
| Standard | Resolution | DAR | Pixels |
|---|---|---|---|
| Digital Cinema 2K | 2048 × 858 | 2.39:1 | 1,757,184 |
| Digital Cinema 2K | 1998 × 1080 | 1.85:1 | 2,157,840 |
| Academy 2K | 1828 × 1332 | 1.37:1 | 2,434,896 |
| Full Aperture Native 2K | 2048 × 1556 | 1.32:1 | 3,186,688 |
| Digital cinema 4K | 4096 × 1714 | 2.39:1 | 7,020,544 |
| Digital cinema 4K | 3996 × 2160 | 1.85:1 | 8,631,360 |
| Academy 4K | 3656 × 2664 | 1.37:1 | 9,739,584 |
| Full Aperture 4K | 4096 × 3112 | 1.32:1 | 12,746,752 |
| IMAX Digital | 5616 × 4096 | 1.37:1 | 23,003,136 |
| Red Epic 617 | 28000 × 9334 | 3:1 | 261,352,000 |
The below distinguish SAR (aspect ratio of pixel dimensions), DAR (aspect ratio of displayed image dimensions), and the corresponding PAR (aspect ratio of individual pixels), though it currently contains some errors (inconsistencies), as flagged.
| Standard | Resolution | SAR | DAR | PAR | Pixels |
|---|---|---|---|---|---|
| DV NTSC | 720 × 480 | 3:2 | 4:3 | 10:11 | 345,600 |
| D1 NTSC | 720 × 486 | 40:27 | 4:3 | 9:10 | 349,920 |
| DV PAL | 720 × 576 | 5:4 | 4:3 | 12:11 | 414,720 |
| D1 PAL | 720 × 576 | 5:4 | 4:3 | 16:15 | 414,720 |
| Panasonic DVCPRO HD 720p | 960 × 720 | 4:3 | 16:9 | 4:3 | 691,200 |
| Panasonic DVCPRO HD 1080, 59.94i | 1280 × 1080 | 32:27 | 16:9 | 3:2 | 1,382,400 |
| Panasonic DVCPRO HD 1080, 50i | 1440 × 1080 | 4:3 | 16:9 | 3:2 | 1,555,200 |
| HDV 1080i/1080p | 1440 × 1080 | 4:3 | 16:9 | 4:3 | 1,555,200 |
| Sony HDCAM (1080) | 1440 × 1080 | 4:3 | 16:9 | 3:2 | 1,555,200 |
| Sony HDCAM SR (1080) | 1920 × 1080 | 16:9 | 16:9 | 1:1 | 2,073,600 |
| Academy 2K | 1828 × 1332 | 1.37:1 | 1.37:1 | 1:1 | 2,434,896 |
| Full Aperture Native 2K | 2048 × 1556 | 1.316 | 4:3 | ~1:1 | 3,186,688 |
| Academy 4K | 3656 × 2664 | 1.37:1 | 1.37:1 | 1:1 | 9,739,584 |
| Full Aperture 4K | 4096 × 3112 | 1.316 | 4:3 | ~1:1 | 12,746,752 |
Read more about this topic: List Of Common Resolutions
Famous quotes containing the word films:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. There’s nothing behind it.”
—Andy Warhol (c. 1928–1987)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)