Factual
- The Archive Hour
- Between Ourselves
- Breakaway (1979–98)
- Cartoon Clichés
- Chetham's School of Music
- Chain Reaction
- Community Caring
- Cutting a Dash
- A Dance through Time
- Darcus and Dickens
- Deep Blue
- Desert Island Discs (1942–)
- A Different World
- Excess Baggage
- Feedback: Radio series
- File on 4
- The Food Programme
- Four Corners
- Herbs: Pure and Simple
- Home This Afternoon (1964–70)
- The House I Grew Up In
- Gardeners' Question Time (1947–)
- Go 4 It
- Going Places
- Great Lives
- Home Truths (1998–2006)
- In Living Memory
- In Our Time (2002–)
- In Touch
- An Indian in Bloomsbury
- Is It On?
- It's My Story: Physician, Heal Thyself
- Last Word
- The Learning Curve
- Let's Pretend
- The Message
- Nothing to Do But Drink
- On the Ropes
- On Your Farm
- Open Country
- Painted Fabrics
- Poisoned Angel: the Story of Alma Rosé
- Public Records, Private Lives
- Questions, Questions
- Ramblings
- Reel Histories
- Subterranean Stories
- Thinking Allowed
- This Sceptred Isle (1995–1996, 1999, 2001, 2005–2006)
- Traveller's Tree
- Veg Talk
- Weekend Woman's Hour
- Winnie the Pooh Lost and Found
- Woman's Hour (1946 Light Programme; 1973–)
- Word of Mouth
- A World in Your Ear
- You and Yours (1970–)
Read more about this topic: List Of BBC Radio 4 Programmes
Famous quotes containing the word factual:
“The greatest step forward would be to see that everything factual is already theory. The blueness of the sky reveals the basic law of chromatics. Don’t look for anything behind the phenomena, they themselves are the doctrine.”
—Johann Wolfgang Von Goethe (1749–1832)
“Philosophical questions are not by their nature insoluble. They are, indeed, radically different from scientific questions, because they concern the implications and other interrelations of ideas, not the order of physical events; their answers are interpretations instead of factual reports, and their function is to increase not our knowledge of nature, but our understanding of what we know.”
—Susanne K. Langer (1895–1985)
“... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.”
—Marcel Proust (1871–1922)