Silent Film Era (1906-1930)
fictional films: Willi Alexander, Alexander Arakoff, Richard Arvay, Artur Berger, Josef Berger, Eduard von Borsody, Julius von Borsody, Julius Brandt, H. K. Breslauer, Michael Curtiz, Ludwig Czerny, Géza von Cziffra, Paul Czinner, Alfred Deutsch-German, Karl Ehmann, Hugo Eywo, Friedrich Fehér, Franz Ferdinand, Felix Fischer, Jacob Fleck, Luise Fleck, Fritz Freisler, Walter Friedemann, Carl Friese, Ernst Friese, Norbert Garay, Karl Gebhardt, Willi Godlewsky, Arthur Gottlein, J. H. Groß, Josef Halbritter, Alfred Halm, Emmerich Hanus, Heinz Hanus, Karl Hartl, Julius Herzka, Rudolf Herzog, Cornelius Hintner, Franz Höbling, Arthur Holz, Hans Homma, Wilhelm August Jurek, Emil Justiz, Wilhelm Klitsch, Erich Kober, Eduard Köck, Franz Köhler, Anton Kolm, Alexander Kolowrat-Krakowsky, Alexander Korda, Heinrich Korff, Fritz Kortner, Otto Kreisler, Georg Kundert, Alfred Lampel, Robert Land, Karl Hans Leiter, Franz Leitner, Emil Leyde, Edmund Loewe, Hans Otto Löwenstein, Viktor Lustig, Ernst Marischka, Hubert Marischka, Joe May, Gustav Aurel Mindszenty, Maurice Armand Mondet, Wolfgang Neff, Max Neufeld, G. W. Pabst, Arnold Pressburger, Johann Schwarzer, Paul L. Stein, Wilhelm Thiele, Gustav Ucicky, Claudius Veltée, Berthold Viertel
traditional animation: Peter Eng, Ladislaus Tuszynski, Hans Berger
documentary films: Joseph Delmont, Bruno Lötsch, Leopold Niernberger, Richard Oswald
Read more about this topic: List Of Austrian Film Directors
Famous quotes containing the words silent, film and/or era:
“Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.”
—Thomas Hardy (1840–1928)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“This, my first [bicycle] had an intrinsic beauty. And it opened for me an era of all but flying, which roads emptily crossing the airy, gold-gorsy Common enhanced. Nothing since has equalled that birdlike freedom.”
—Elizabeth Bowen (1899–1973)