List of Austrian Film Directors - Early Sound Film Era (1929-1959)

Early Sound Film Era (1929-1959)

fictional films: Otto Ambros, Franz Antel, Alfons Benesch, Rudolf Bernauer, Géza von Bolváry, Siegfried Breuer, Rudolf Carl, E. W. Emo, Walter Felsenstein, Walter Firner, Willi Forst, Wilfried Frass, Wolfgang Glück, Leopold Hainisch, Herbert Heidmann, Heinz Helbig, Hans Herbert, Eduard Hoesch, Ernst Hofbauer, Paul Hörbiger, J. A. Hübler-Kahla, Otto Kanturek, Rudolph Katscher, Georg C. Klaren, Walter Kolm-Veltée, Viktor Korger, Carl Kurzmayer, Anton Kutter, Alfred Lehner, Wolfgang Liebeneiner, Paul Löwinger, Franz Marischka, Georg Marischka, Ann Matzner, Adi Mayer, Rudolf Meinert, Kurt Meisel, Gerhard Menzel, Ernst Neubach, Otto Preminger, Harald Reinl, Hans Schott-Schöbinger, Georg Tressler, Bernhard Wicki, Herbert Wise

documentary films: Hans Hass, Herbert Heidmann, Max Zehenthofer

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Famous quotes containing the words early, sound, film and/or era:

    In the early forties and fifties almost everybody “had about enough to live on,” and young ladies dressed well on a hundred dollars a year. The daughters of the richest man in Boston were dressed with scrupulous plainness, and the wife and mother owned one brocade, which did service for several years. Display was considered vulgar. Now, alas! only Queen Victoria dares to go shabby.
    M. E. W. Sherwood (1826–1903)

    It’s precisely the disappointing stories, which have no proper ending and therefore no proper meaning, that sound true to life.
    Max Frisch (1911–1991)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)

    This, my first [bicycle] had an intrinsic beauty. And it opened for me an era of all but flying, which roads emptily crossing the airy, gold-gorsy Common enhanced. Nothing since has equalled that birdlike freedom.
    Elizabeth Bowen (1899–1973)