Production
Liquid Sky was produced and directed by Slava Tsukerman who, prior to making Liquid Sky, had a successful career as a documentary and TV film maker in the USSR and Israel. The screenplay was written by Tsukerman, his wife and ubiquitous co-producer Nina V. Kerova, and Anne Carlisle, who also enacted the film's two leading roles. The director of photography, Yuri Neyman, a Russian émigré, was also the film's special effects expert. Anne Carlisle also wrote a novel based on the movie (same title, ISBN 0-385-23930-0) in 1987.
Although the film is loosely centered around early 1980s punk subculture, the film's score uses a series of strident synthesizer music pieces. The music was composed by Slava Tsukerman, Clive Smith and Brenda Hutchinson using the Fairlight CMI, the first digital sampler/synthesizer. Most of it was original, but included interpretations of Baroque composer Marin Marais's Sonnerie de Ste-Geneviève du Mont-de-Paris, Carl Orff's Trionfo di Afrodite, and Anthony Philip Heinrich's Laurel Waltz. All of these were orchestrated in a series of ominous, dissonant arrangements and nightmarish marches.
Read more about this topic: Liquid Sky
Famous quotes containing the word production:
“The production of too many useful things results in too many useless people.”
—Karl Marx (18181883)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (18741965)