Background
The Black Crowes began writing songs for the follow-up to their 1999 album By Your Side as free agents, having left Columbia Records through a loophole in their contract. The decision to leave was driven by Columbia's promotion of By Your Side. According to band member Rich Robinson, "That record was destined to fail because ... just said, 'It's not going to do well ... It's no use wasting time or money.' " The band also was frustrated by the label's request for albums sounding similar to their first, 1990's Shake Your Money Maker.
In late 1999, lead vocalist Chris Robinson began a relationship with Kate Hudson, which would influence subtly the lyrics on Lions. The pair met at a Friday night party in Manhattan, which led to a Saturday stroll through Central Park and a Sunday move-in. Their wedding at the Aspen, Colorado, ranch of Kurt Russell and Kate's mother, Goldie Hawn, followed on December 31, 2000.
Before the 2000 tour with Jimmy Page, bassist Sven Pipien was fired after arriving late for a performance and missing the return flight. Rich said it was not enough to warrant termination, but Pipien's defensiveness when confronted about the incident was too much to handle. Greg Rzab and Andy Hess were considered as replacements; the band chose Rzab because he had more touring experience than Hess. Rzab, however, departed before the recording of Lions.
In mid-2000, the band signed with Richard Branson's V2 Records. Rich explained, "The cool thing about V2, the reason that we chose them, is that they told us, 'You guys go make the record you want to make. Then give it to us and we'll sell it.' That's what we needed to hear." The freedom V2 afforded through its hands-off approach influenced not only the music, but the album title as well. According to Chris, "Lions is a symbol that stands for the fierce feeling and freedom that music allows you."
Read more about this topic: Lions (album)
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—Emma Goldman (1869–1940)
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—Friedrich Nietzsche (1844–1900)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)