Critical and Literary Works
Trilling wrote one novel, The Middle of the Journey (1947), about an affluent Communist couple's encounter with a Communist defector. (Trilling later acknowledged that the character was inspired by his Columbia College compatriot and contemporary Whittaker Chambers). His short stories include “The Other Margaret.” Otherwise, he wrote essays and reviews, in which he reflected on literature’s ability to challenge the morality and conventions of the culture. Critic David Daiches said of Trilling, “Mr. Trilling likes to move out and consider the implications, the relevance for culture, for civilization, for the thinking man today, of each particular literary phenomenon which he contemplates, and this expansion of the context gives him both his moments of his greatest perceptions, and his moments of disconcerting generalization.”
Trilling published two complex studies of authors Matthew Arnold (1939) and E. M. Forster (1943), both written in response to a concern with “the tradition of humanistic thought and the intellectual middle class which believes it continues this tradition.” His first collection of essays, The Liberal Imagination, was published in 1950, followed by the collections The Opposing Self (1955), focusing on the conflict between self-definition and the influence of culture, Freud and the Crisis of Our Culture (1955), A Gathering of Fugitives (1956), and Beyond Culture (1965), a collection of essays concerning modern literary and cultural attitudes toward selfhood. In Sincerity and Authenticity (1972), he explores the ideas of the moral self in post-Enlightenment Western civilization. He wrote the introduction to The Selected Letters of John Keats (1951), in which he defended Keats’s notion of Negative Capability, as well as the introduction, “George Orwell and the Politics of Truth”, to the 1952 reissue of George Orwell’s book, Homage to Catalonia.
In 2008, Columbia University Press published an unfinished novel that Trilling abandoned in the late 1940s. Scholar Geraldine Murphy discovered the half-finished novel among Trilling's papers archived at Columbia University. Trilling's novel, titled The Journey Abandoned: The Unfinished Novel, is set in the 1930s and involves a young protagonist, Vincent Hammell, who seeks to write a biography of an elder, towering figure poet - Jorris Buxton. Buxton's character is loosely based on the nineteenth century, romantic poet Walter Savage Landor. Writer and critic Cynthia Ozick praised the novel's skillful narrative and complex characters, writing that The Journey Abandoned is "a crowded gallery of carefully delineated portraits, whose innerness is divulged partly through dialogue but far more extensively in passages of cannily analyzed insight."
Read more about this topic: Lionel Trilling
Famous quotes containing the words critical and, critical, literary and/or works:
“Probably more than youngsters at any age, early adolescents expect the adults they care about to demonstrate the virtues they want demonstrated. They also tend to expect adults they admire to be absolutely perfect. When adults disappoint them, they can be critical and intolerant.”
—The Lions Clubs International and the Quest Nation. The Surprising Years, I, ch.4 (1985)
“A third variety of drama ... begins as tragedy with scraps of fun in it ... and ends in comedy without mirth in it, the place of mirth being taken by a more or less bitter and critical irony.”
—George Bernard Shaw (18561950)
“Platowho may have understood better what forms the mind of man than do some of our contemporaries who want their children exposed only to real people and everyday eventsknew what intellectual experience made for true humanity. He suggested that the future citizens of his ideal republic begin their literary education with the telling of myths, rather than with mere facts or so-called rational teachings.”
—Bruno Bettelheim (20th century)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mothers in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (18561950)