Lionel Trilling - Critical and Literary Works

Critical and Literary Works

Trilling wrote one novel, The Middle of the Journey (1947), about an affluent Communist couple's encounter with a Communist defector. (Trilling later acknowledged that the character was inspired by his Columbia College compatriot and contemporary Whittaker Chambers). His short stories include “The Other Margaret.” Otherwise, he wrote essays and reviews, in which he reflected on literature’s ability to challenge the morality and conventions of the culture. Critic David Daiches said of Trilling, “Mr. Trilling likes to move out and consider the implications, the relevance for culture, for civilization, for the thinking man today, of each particular literary phenomenon which he contemplates, and this expansion of the context gives him both his moments of his greatest perceptions, and his moments of disconcerting generalization.”

Trilling published two complex studies of authors Matthew Arnold (1939) and E. M. Forster (1943), both written in response to a concern with “the tradition of humanistic thought and the intellectual middle class which believes it continues this tradition.” His first collection of essays, The Liberal Imagination, was published in 1950, followed by the collections The Opposing Self (1955), focusing on the conflict between self-definition and the influence of culture, Freud and the Crisis of Our Culture (1955), A Gathering of Fugitives (1956), and Beyond Culture (1965), a collection of essays concerning modern literary and cultural attitudes toward selfhood. In Sincerity and Authenticity (1972), he explores the ideas of the moral self in post-Enlightenment Western civilization. He wrote the introduction to The Selected Letters of John Keats (1951), in which he defended Keats’s notion of Negative Capability, as well as the introduction, “George Orwell and the Politics of Truth”, to the 1952 reissue of George Orwell’s book, Homage to Catalonia.

In 2008, Columbia University Press published an unfinished novel that Trilling abandoned in the late 1940s. Scholar Geraldine Murphy discovered the half-finished novel among Trilling's papers archived at Columbia University. Trilling's novel, titled The Journey Abandoned: The Unfinished Novel, is set in the 1930s and involves a young protagonist, Vincent Hammell, who seeks to write a biography of an elder, towering figure poet - Jorris Buxton. Buxton's character is loosely based on the nineteenth century, romantic poet Walter Savage Landor. Writer and critic Cynthia Ozick praised the novel's skillful narrative and complex characters, writing that The Journey Abandoned is "a crowded gallery of carefully delineated portraits, whose innerness is divulged partly through dialogue but far more extensively in passages of cannily analyzed insight."

Read more about this topic:  Lionel Trilling

Famous quotes containing the words critical and, critical, literary and/or works:

    “The principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.”
    —Jean Piaget (1896–1980)

    “An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark—that is critical genius.”
    —Billy Wilder (b. 1906)

    “A guide book is addressed to those who plan to follow the traveler, doing what he has done, but more selectively. A travel book, in its purest, is addressed to those who do not plan to follow the traveler at all, but who require the exotic or comic anomalies, wonders and scandals of the literary form romance which their own place or time cannot entirely supply.”
    —Paul Fussell (b. 1924)

    “... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
    —Angelina Grimké (1805–1879)