Line Infantry - Linear Tactics and Function

Linear Tactics and Function

Line infantry used mostly three types of formations in its battles: the line, the square and the column.

With the massive proliferation of hand guns (firearms that could be carried by hand, as opposed to cannon; not to be confused with handguns) in the infantry units from the middle of 17th century the battlefield was dominated by linear tactics, according to which the infantry was aligned into long thin lines and fired volleys. A line consisted of 2, 3 or 4 ranks of soldiers.

The relatively short range at which smooth bore muskets could accurately hit a target, added to the slow reload (2 to 3 rounds per minute), meant that massed formation firing was essential for maximising enemy casualties. The line was considered as the fundamental battle formation as it allowed for the largest deployment of firepower. Troops in skirmish formation, though able to take cover and use initiative, were highly vulnerable to cavalry and could not hold ground against advancing infantry columns. Line infantry provided an 'anchor' for skirmishers and cavalry to retreat to if threatened.

Against surrounding enemy cavalry, line infantry could swiftly adopt square formations to provide protection. Such squares were hollow (consisting of four lines), unlike the pikiners' and old-style musketeers' square.

Movement in line formation was very slow, and unless the battalion was superbly trained, a breakdown in cohesion was virtually assured, especially in any kind of uneven or wooded terrain. As a result, line was mostly used as a stationary formation, with troops moving in column formations and then deploying to line at their destination. Usually for movement and melee attacks columns would be adopted.

Line infantry was trained in the manual of arms evolutions, the main objectives of which were fast deployment of a line, rapid shooting and manoeuvre.

Read more about this topic:  Line Infantry

Famous quotes containing the word function:

    Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.
    Ezra Pound (1885–1972)