Limitless - Critical Reception

Critical Reception

Limitless received generally positive reviews from film critics. Review aggregation website Rotten Tomatoes gives the film a score of 71% based on reviews from 182 critics, and reports a rating average of 6.4 out of 10. The site reported a consensus that, "Although its script is uneven, Neil Burger directs Limitless with plenty of visual panache, and Bradley Cooper makes for a charismatic star." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 62 based on 37 reviews.

Roger Ebert of the Chicago Sun-Times gave the film 2 and 1/2 stars and said it was "not terrifically good, but the premise is intriguing" and also stated that director Neil Burger uses "inventive visual effects." Lastly he said, "Limitless only uses 15, maybe 20 percent of its brain. Still, that's more than a lot of movies do."

Kirk Honeycutt of The Hollywood Reporter wrote, "Limitless should be so much smarter than it is," believing that it took conventional plot turns and stuck closely to genre elements like Russian gangsters and Wall Street crooks. Honeycutt reserved praise for Cooper, Abbie Cornish, and Anna Friel. He also commended cinematographer Jo Willems' camerawork and Patrizia von Brandenstein's production design in the film's array of locales.

Variety's Robert Koehler called Limitless a "propulsive, unexpectedly funny thriller". Koehler wrote, "What makes the film so entertaining is its willingness to go far out, with transgressive touches and mind-bending images that take zoom and fish-eye shots to a new technical level, as the pill enables Eddie to experience astonishing new degrees of clarity, perception and energy." He said of Cooper's performance, "Going from grungy to ultra-suave with a corresponding shift in attitude, Cooper shows off his range in a film he dominates from start to finish. The result is classic Hollywood star magnetism, engaging auds physically and vocally, as his narration proves to be a crucial element of the pic's humor." The critic also positively compared Willems' cinematography to the style in Déjà Vu (2006) and commended the tempo set by the film's editors Naomi Geraghty and Tracy Adams and by composer Paul Leonard-Morgan.

Limitless received the award for Best Thriller at the 2011 Scream Awards and is nominated for Best Science Fiction Film at the 2012 Saturn Awards.