Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| The Age | (favorable) |
| Allmusic | |
| Pitchfork Media | (6.8/10) |
| PopMatters | (7/10) |
The album was well received by critics. Andrew Drever of The Age said of the album that "De Backer bravely tackles a mind-boggling array of musical styles with conviction and flair...That he never once missteps, pulling off every musical style he attempts with aplomb and skill, highlights the arrival of an important new talent." Pitchfork described the album as "full of dark pop, produced with an open clarity that separates the numerous sounds and consequently comes off as huge and sweeping...Like Drawing Blood is memorable and captivating." PopMatters gave the album a favourable review, stating that "Like Drawing Blood plays as a remarkably consistent, high quality electronic mix album, with thoughtful song/song transitions and a sustained, easily established mood." Allmusic editor Jon O'Brien called the album "an impressively eclectic cut-and-paste affair" and stated, "A little more control in the editing suite might have helped, then, but Like Drawing Blood is still an engaging and diverse affair".
Read more about this topic: Like Drawing Blood
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)