Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| ARTISTdirect | |
| Drowned In Sound | (8/10) |
| Pitchfork Media | (6.7/10) |
| Sound and Vision | |
Reception for the album has been largely positive. Classic Rock magazine described the album as "an album of stunning songs and startling musicianship… breathtaking." Allmusic praised the album's quality and its more commercial direction, and called the tracks "Feel So Low" and "The Rest Will Flow" "flat out two of Wilson's best tunes anywhere." ArtistDirect warned that while it is different than later Porcupine Tree releases such as Fear of a Blank Planet, and conventional progressive rock in general, "Porcupine Tree achieves something altogether more enjoyable here. And, while audiophiles may find the dense harmonies and musical arrangements intriguing in surround sound, the strength of Lightbulb Sun is in melancholic melodies that would sound every bit as good in mono." The Real Musician music website echoed similar sentiments, and considered it to be "the last 'old' Porcupine Tree cd" (prior to their move into a more metal direction with 2002's In Absentia), and continued "Out of that old band, Lightbulb Sun is the very best album they created".
Many reviewers felt the album sounded similar to the work of Pink Floyd. The album has also been praised for being more accessible than most progressive rock, with Bill Kopp of Musoscribe stating "Lightbulb Sun is, like all (Porcupine Tree), really, very accessible stuff. In many ways, Porcupine Tree can serve an a listener's entree into a heretofore unexplored genre: if you're a rock fan but not so into prog, (it) can ease you in gently. If...you're no metal fan, the band ... can show you the benefits of that genre without going all Metallica on you."
Read more about this topic: Lightbulb Sun
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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