Audience
Version L of Life of Soul (the version that forms the basis for available modern editions) appears to have been addressed to a lay audience, version A perhaps adapted for "religious" (i.e., those who, like monks, live under a rule). Two featuress of the tract would suit it for a monastic audience: the constant use of the words "brother" and "brethren" to describe fellow Christians; and the subject matter of the work: Christian perfection, especially as that is laid out in the so-called "Evangelical counsels" or "counsels of perfection" found in Christ's Sermon on the Mount (Matthew 5-6). According to a considerable tradition, these "counsels," too demanding to be imposed on the ordinary believer, are the preserve of those with a calling to the monastic life. But the counsels to perfection were embraced by many individuals and movements that were not monastic; and there is nothing specifically monastic about their interpretation here: the work inculcates faith, good works, and the avoidance of such universal faults as anger, pride, and malicious gossip. Even poverty and chastity are recommended in universal terms. The tract also mentions Christ's strictures against divorce, hardly relevant to monks. It is noteworthy that version A, perhaps adapted for a monastic audience, adds to this section the comment, "In order to set us an example of chastity, Christ chose for his lifespan this manner of life, as did many of his apostles." The social class of the audience is similarly difficult to specify. The author addresses remarks to both the poor, who are warned that material poverty in itself is valueless, and the rich, who are warned that wealth used selfishly damns the possessor. These warning could well be directed toward contemporary society (e.g., toward friars and prelates respectively), rather than toward actual members of the anticipated readership.
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Famous quotes containing the word audience:
“There’s more bad music in jazz than any other form. Maybe that’s because the audience doesn’t really know what’s happening.”
—Pat Metheny (b. 1954)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“When you are writing before there is an audience anything written is as important as any other thing and you cherish anything and everything that you have written. After the audience begins, naturally they create something that is they create you, and so not everything is so important, something is more important than another thing ...”
—Gertrude Stein (1874–1946)