Culture
This area is known as the "huaso province" after the name of the Chilean cowboy, the huaso. Sashes and mantas – traditional items of the huaso costume – are woven in Doñihue on heavy vertical looms. Designs imitate vine leaves, bunches of grapes, pines and copihues. Other designs of colored stripes are woven on horizontal looms.
The population is a mixture of both European (including Argentinan immigrants) and Indigenous races and cultures, thus the region has a homogeneous culture known as Chileanidad is present and a mestizo imprint is evident.
The Libertador General Bernardo O'Higgins Region was settled by Spaniards (notably Andalusians, Basques, Aragonese and Navarrese) and other Europeans. French and Italian families established agriculture including the important wine industry: the Wine Route is one of the main tourist attractions of the Colchagua valley. Breweries can be found as well, the legacy of German and Swiss immigration. Livestock herding was especially influenced by British, Greek and Yugoslavian settlers.
In the late 19th century, a small number of Cherokee and Oklahoman settlers of American Indian descent from the USA was brought to the Libertador General Bernardo O'Higgins Region by the Chilean government, displaced by white settlement in Oklahoma. They founded in the 1880s a cooperative farm named Ovasso (an Osage word for "the end" or "edge"), which was later abandoned.
There is a small colony of Aartis or "Artas", East Indians descended from hired railway workers from British India in the early 20th century.
The relatively small distance from Santiago has led to a growing urban influence in the local culture. The largest city, Rancagua, is fast becoming a suburb of Santiago's upper-class professional workforce.
Read more about this topic: Libertador General Bernardo O'Higgins Region
Famous quotes containing the word culture:
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)
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—Michael Harrington (1928–1989)
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