Style
Libeaus Desconus is a late-fourteenth century Middle English poem of around 2200 lines (the exact number of lines varies amongst the six manuscripts). Like many Middle English romances (e.g. The Wedding of Sir Gawain and Dame Ragnelle and Emaré) the poem is divided into stanzas of tail-rhyme verse, a rhyming couplet followed by a tail-rhyme, repeated four times in each stanza in a scheme like aabccbddbeeb.
Writing principally in a dialect of southern England, possibly the SE Midlands, Thomas Chestre has been described as a 'hack writer' who had an acquaintance with a number of other Middle English romances and was able to borrow from them, often retaining the different dialects of the bits and pieces he incorporated into his own poetry. Libeaus Desconus was written for a more popular audience than the Old French romances on which it models itself.
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Famous quotes containing the word style:
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
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“One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.”
—Friedrich Nietzsche (1844–1900)