LGBT in Japan - Homosexuality in Modern Japan - Popular Culture - Mass Media

Mass Media

A number of artists, nearly all male, have begun to speak publicly about their homosexuality, appearing on various talk shows and other programs, their celebrity often focused on their sexuality; twin pop-culture critics Piko and Osugi are an example. Akihiro Miwa, a drag queen and former lover of author Yukio Mishima, is the television advertisement spokesperson for many Japanese companies ranging from beauty to financial products. Kenichi Mikawa, a former pop idol singer who now blurs the line between male and female costuming and make-up, can also regularly be seen on various programs, as can crossdressing entertainer Peter. Singer-songwriter and actress Ataru Nakamura was one of the first transgender personalities to become highly popular in Japan; in fact, sales of her music rose after she discussed her MTF gender reassignment surgery on the variety show All Night Nippon in 2006.

Some entertainers have used stereotypical references to homosexuality to increase their profile. Razor Ramon Sumitani a.k.a. Hard Gay (HG), a comedian, shot to fame after he began to appear in public wearing a leather harness, hot pants and cap. His outfit, name, and trademark pelvis thrusting and squeals earned him the adoration of fans and the scorn of many in the Japanese gay community.

Ai Haruna and Ayana Tsubaki, two high profile transsexual celebrities, have gained popularity and have been making the rounds on some very popular Japanese variety shows. As of April 2011, Hiromi, a fashion model, revealed her homosexuality.

A greater amount of gay and transgender characters have also begun appearing (with positive portrayals) on Japanese television, such as the highly successful Hanazakari no Kimitachi e and Last Friends television series.

Read more about this topic:  LGBT In Japan, Homosexuality in Modern Japan, Popular Culture

Famous quotes related to mass media:

    Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.
    C. Wright Mills (1916–62)