Lex Barker - Career

Career

Barker made it to Broadway once, in a small role in a short run of Shakepeare's The Merry Wives of Windsor in 1938. He also had a small role in Orson Welles's disastrous Five Kings, which met with so many problems in Boston and Philadelphia that it never made it into New York. Barker reportedly was spotted by scouts from Twentieth Century Fox and offered a film contract in 1939, but could not convince his parents to sign it (he was underage). Disowned by his family for his choice of an acting career, he worked in a steel mill and studied engineering at night.

In February 1941, ten months before the attack on Pearl Harbor, Barker left his fledgling acting career and enlisted in the US Army. He rose to the rank of major during the war. He was wounded in action (in the head and leg) fighting in Sicily.

Back in the United States, Barker recuperated at an Arkansas military hospital, then upon his discharge from service, traveled to Los Angeles. Within a short time, he landed a small role in his first film, Doll Face (1945). A string of small roles followed, the best of which was as Emmett Dalton in the Western Return of the Bad Men (1948). Barker soon found the role that would bring him fame.

In Tarzan's Magic Fountain (1949), Barker became the tenth official Tarzan of the movies. His blond, handsome, and intelligent appearance, as well as his athletic, now 6'4" frame, helped make him popular in the role Johnny Weissmuller had made his own for sixteen years. Barker made only five Tarzan films, but he remains one of the actors best known for the role.

His stardom as Tarzan led him to a variety of heroic roles in other films, primarily Westerns, and one interesting (and quite non-heroic) part in a World War II film, Away All Boats (1956).

In 1957, as he found it harder to find work in American films, Barker moved to Europe (he spoke French, Italian, Spanish, and some German), where he found popularity and starred in over forty European films, including two movies based on the novels by Italian author Emilio Salgari (1862–1911). In Italy, he also had a short but compelling role as Anita Ekberg's fiancé in Federico Fellini's La Dolce Vita (1960).

In Germany, he had his greatest success. There he starred in two movies based on the "Doctor Mabuse" stories (formerly filmed by Fritz Lang), in the movies Frauenarzt Dr. Sibelius and Frühstück im Doppelbett, and in 13 movies based on novels by German author Karl May (1842–1912), playing such well-known May characters as Old Shatterhand, Kara Ben Nemsi, and Dr. Sternau.

In 1966, Barker was awarded the "Bambi Award" as "Best Foreign Actor" in Germany, where he was a major, very popular, star. He even recorded a single, in German, with Martin Böttcher, the composer of some of the soundtracks of the Karl May movies: "Ich bin morgen auf dem Weg zu dir" ("I'll be on the way to you tomorrow") and "Mädchen in Samt und Seide" ("Girl in Silk and Velvet"). He returned to the United States occasionally and made a handful of guest appearances on American television episodes. But Europe, and especially Germany, was his professional home for the remainder of his life.

Read more about this topic:  Lex Barker

Famous quotes containing the word career:

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)