Production
The music of Atlas Sound utilizes computer-based MIDI instruments, created and recorded in musical software Ableton Live; the program allows Cox "to turn pretty much any sound into a MIDI-controllable keyboard", according to him. Effects that were not already built into the program were seldom used. Brian Foote of the band Nudge assisted Cox in the production of Let the Blind Lead, by showing him the basics of the software, and aiding in the selection of equipment that would be used on the record. Cox described the process of recording the album as being stream-of-consciousness: "with Atlas Sound, the songs are being written as they're recorded." In addition, all of the lyrics on the album were created as they were being recorded on the first take.
The album's title is derived from a dream Cox had in which he saw a group of protesters, one of whom was holding up a sign reading "Let the blind lead those who can see but cannot feel". Upon waking, Cox wrote down the phrase on a notebook beside his bed. He described the concept to Out magazine as being "like you are able to see, but you might not know the right direction to go in. But somebody who can’t see might—just by instinct—lead you that way." The arrangement of the tracks on Let the Blind Lead is chronological, presented in the order in which they were recorded.
Read more about this topic: Let The Blind Lead Those Who Can See But Cannot Feel
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)