Music
Garrett has had an extensive music career. A graduate of the Royal Academy of Music, she won the Decca Prize of the Kathleen Ferrier Award in 1979, thereby launching her career. From 1984, as principal soprano at English National Opera, she became well known for her performances in productions of the operas Serse, Le Nozze di Figaro, Così fan tutte and Die Fledermaus.
Garrett has performed across the world, in countries throughout Europe, and also the United States, Australia, Russia, Brazil, Japan, Malaysia, Taiwan and South Korea. She has also sung opera and pop classics with Bryan Ferry, The Eurythmics and Mick Hucknall to celebrate the arrival of the new century on Millennium Eve, in the grounds at the Royal Observatory and National Maritime Museum.
She played the lead role of Hanna Glawari in the Welsh National Opera's production of The Merry Widow, which toured the United Kingdom in 2005. As of November 2006, for six months she is performing as Mother Abbess in Andrew Lloyd Webber's revival of The Sound of Music. In 2008, she joined the cast of Carousel as Nettie Fowler. The production toured the UK and then transferred to the West End's Savoy Theatre.
Garrett created the role of Cathy in the London studio recording of Bernard J. Taylor's operatic version of Wuthering Heights, which also featured Dave Willetts, Bonnie Langford and other leading singers from the British musical stage. Her rendition of "I Belong to The Earth" was included on two of her solo albums.
As a recording artist, Garrett has released eleven solo albums. Many of them have been successful, receiving gold and silver status. Soprano in Red received the Gramophone Award for "Best-selling Classical Artist of the Year". Garrett was also a featured artist on the platinum selling "Perfect Day" single released by the BBC in aid of Children in Need.
Garrett is a member of the board of the English National Opera.
In 2002, Garrett was awarded the CBE for her services to music.
Read more about this topic: Lesley Garrett
Famous quotes containing the word music:
“Where should this music be? I’ th’ air, or th’ earth?
It sounds no more.”
—William Shakespeare (1564–1616)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“Who that has heard a strain of music feared then lest he should speak extravagantly any more forever?”
—Henry David Thoreau (1817–1862)