Plot
| English title | French title | Released | Runtime | |
|---|---|---|---|---|
| 1 | "The Severed Head" | "La Tête Coupée" | 13 November 1915 | 33 mins. |
| 2 | "The Ring That Kills" | "La Bague Qui Tue" | 13 November 1915 | 15 mins. |
| 3 | "The Red Codebook" | "Le Cryptogramme Rouge" | 4 December 1915 | 42 mins. |
| 4 | "The Spectre" | "Le Spectre" | 7 January 1916 | 32 mins. |
| 5 | "Dead Man's Escape" | "L'évasion Du Mort" | 28 January 1916 | 37 mins. |
| 6 | "Hypnotic Eyes" | "Les Yeux Qui Fascinent" | 24 March 1916 | 58 mins. |
| 7 | "Satanas" | "Satanus" | 15 April 1916 | 46 mins. |
| 8 | "The Thunder Master" | "Le Maître de la Foudre" | 12 May 1916 | 55 mins. |
| 9 | "The Poisoner" | "L'homme des Poisons" | 2 June 1916 | 53 mins. |
| 10 | "The Terrible Wedding" | "Les Noces Sanglantes" | 30 June 1916 | 60 mins. |
Read more about this topic: Les Vampires
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—John Ashbery (b. 1927)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)