Lera Auerbach - Composition

Composition

Auerbach's compositions have been commissioned and performed by a wide array of artists, orchestras and ballet companies including Gidon Kremer, the Kremerata Baltica, David Finckel, Wu Han, Vadim Gluzman, the Tokyo, Kuss, Parker and Petersen String Quartets, the SWR and NDR symphony orchestras, and the Royal Danish Ballet. Auerbach’s music has also been commissioned by and performed at Caramoor International Music Festival, Lucerne Festival, Lockenhaus Festival, Bremen Musikfest and Schleswig-Holstein Musik Festival.

A new commission by The Royal Danish Ballet, to celebrate Hans Christian Andersen's bicentenary, was Lera Auerbach's second collaboration with choreographer John Neumeier. The ballet is a modern rendition of the classic fairy tale The Little Mermaid and was premiered in April 2005 at the then newly-opened Copenhagen Opera House.

Her Double Concerto for Violin, Piano, and Orchestra, Op. 40, was written in 1997, but not premiered until December 15, 2006, in Stuttgart by the Stuttgart Radio Symphony Orchestra conducted by Andrey Boreyko; the soloists were violinist Vadim Gluzman and pianist Angela Yoffe. The American premiere was on February 13, 2010, by the Fort Wayne Philharmonic Orchestra conducted by Andrew Constantine; the soloists were violinist Jennifer Koh and pianist Benjamin Hochman.

Read more about this topic:  Lera Auerbach

Famous quotes containing the word composition:

    Vices enter into the composition of virtues as poisons into the composition of certain medicines. Prudence and common sense mix them together, and make excellent use of them against the misfortunes that attend human life.
    François, Duc De La Rochefoucauld (1613–1680)

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)

    The composition of a tragedy requires testicles.
    Voltaire [François Marie Arouet] (1694–1778)