Persecution and Death in Nazi Germany
Jessel's operettas were popular, nationalistic, and very German — Schwarzwaldmädel was a favorite of Hitler and Himmler. Because of this, and because of his own conservative nationalistic ideology, and because his second wife Anna joined the Nazi party in 1932, Jessel expected acceptance in Germany even during and after the Nazi rise to power. Instead, he was rejected by Nazi leadership because of his Jewish descent, even though he had converted to Christianity in 1894, and performances of his works were banned in 1933. Jessel's last major work was his 1933 operetta Junger Wein (Young Wine), and his biographer Albrecht Dümling believes that he was a victim of targeted boycott measures as early as 1927.
In 1937 Jessel was forced out of the Reichsmusikkammer (the State Music Institute), and recordings and distribution of his works were prohibited. In 1941 a house search turned up a 1939 letter to his librettist William Sterk in Vienna, in which Jessel had written: "I cannot work in a time when hatred of Jews threatens my people with destruction, where I do not know when that gruesome fate will likewise be knocking at my door." On December 15, 1941 Jessel was arrested and delivered to the Gestapo in Berlin. He was tortured by the Gestapo in a basement of the Police Bureau at Alexanderplatz, and subsequently died on January 4, 1942 in the Berlin Jewish Hospital.
Read more about this topic: Leon Jessel
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