Leo Genn - Theatre

Theatre

  • 1930 A Marriage Has Been Disarranged, Devonshire Park Theatre, Eastbourne, Royalty Theatre
  • appearances in: No 17; Tiger Cats; Champion North; While Parents Sleep; Clive of India
  • 1931 O.H.M.S.
  • 1934-36 Old Vic Company:
1934-35 Old Vic Season
  • Much Ado About Nothing
  • Henry IV Part 2
  • Major Barbara
  • Hippolytus by Euripides
  • The Two Shepherds by Sierra
  • Othello
  • The Taming of the Shrew, Sadler's Wells
  • Saint Joan, Old Vic/Sadler's Wells
  • Richard II
  • Anthony and Cleopatra
  • Hamlet
  • Shakespeare Birthday Festival- April 23, 1935
  • Last Night of Shakespeare Season: scenes from Hamlet, Richard II, Taming of The Shrew, May 20, 1935
1935-36 Old Vic Season
  • Julius Caesar
  • Macbeth
  • Richard III
  • King Lear
  • Saint Helena by R.C.Sherriff
  • Peer Gynt
  • The School For Scandal
  • 1936 St Helena, Dalys Theatre
1936-37 Old Vic Season
  • Twelfth Night
  • Henry V
  • 1937 Shakespeare Birthday Festival: excerpts from Shakespeare, April 23, 1937, Old Vic
  • 1937 Hamlet as Horatio, at Elsinore
  • 1938 Shakespeare Birthday Festival: excerpts from Shakespeare, April 25, 1938, Old Vic
  • 1938 The Flashing Stream, Lyric Theatre & New York 1939
  • 1946 Another Part of the Forest, New York
  • 1948 Jonathan, Aldwych
  • 1951 The Seventh Veil, Prince's Theatre
  • 1953 Henry VIII, Old Vic
  • 1954 The Bombshell, Westminster Theatre
  • 1957 Small War on Murray Hill, New York
  • 1959 The Hidden River, Cambridge Theatre
  • 1961 The Devil's Advocate, New York
  • 1964 Fair Game for Lovers, New York
  • 1964 12 Angry Men, Queen’s Theatre
  • 1967 The Sacred Flame, Duke of York's Theatre
  • 1968 The Only Game in Town, New York
  • 1968 Caesar and Cleopatra, US
  • 1969 Doctor Faustus, US

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Famous quotes containing the word theatre:

    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.
    Robert Benchley (1889–1945)

    The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
    Enid Bagnold (1889–1981)

    Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.
    Dame Alice Markova (b. 1910)