Leo Braudy - Bibliography

Bibliography

Books:

• The Hollywood Sign: Fantasy and Reality of an American Icon, Yale University Press, New Haven, 2011.

• On the Waterfront, British Film Institute Film Classics, London, 2005.

• From Chivalry to Terrorism: War and the Changing Nature of Masculinity. New York: Knopf, 2003; paperback, 2005.

• Native Informant: Essays on Film, Fiction and Popular Culture. Oxford University Press, 1992.

• The Frenzy of Renown: Fame and Its History. Oxford University Press, 1986; paperback, 1987. Second edition (paperback) with a new Afterword, Vintage, 1997.

• The World in a Frame: What We See in Films. Doubleday, 1976 (paperback, 1977); Second edition (paperback), University of Chicago, 1984; Twenty-fifth anniversary edition, 2002.

• Jean Renoir: The World of his Films. Doubleday, 1972 (paperback, 1973; English edition, 1977); second edition, Columbia University Press, 1989.

• Narrative Form in History and Fiction: Hume, Fielding, and Gibbon. Princeton, 1970; second edition (as The Plot of Time, Los Angeles: Figueroa Press, 2003).

Anthologies edited and co-edited:

• Film Theory and Criticism: Introductory Readings (with Marshall Cohen), seventh edition. New York: Oxford, 2008.

• Film Theory and Criticism: Introductory Readings (with Marshall Cohen), sixth edition. New York: Oxford, 2004.

• Film Theory and Criticism: Introductory Readings (with Marshall Cohen), fifth edition. New York: Oxford, 1998.

• Film Theory and Criticism: Introductory Readings (with Gerald Mast and Marshall Cohen), fourth edition. New York: Oxford, 1992.

• Great Film Directors: A Critical Anthology (with Morris Dickstein). Oxford, 1979.

• Norman Mailer: A Collection of Critical Essays. Prentice-Hall, 1972.

• Truffaut's Shoot the Piano Player: A Collection of Critical Essays. Prentice-Hall, 1972.

Original Articles and Essays in Books:

• "Dryden, Marvell and the Design of Political Poetry." In Enchanted Ground: Reimagining John Dryden. Toronto: University of Toronto Press, December, 2004.

• Leo Braudy and Robert P. Kolker, “An Interview with Robert Altman.” Film Voices: Interviews from Post Script, ed. Gerald Duchovnay. Albany: State University of New York Press, 2004.

• Leo Braudy and Mark Crispin Miller, “An Interview with Sydney Pollack.” Film Voices: Interviews from Post Script, ed. Gerald Duchovnay. Albany: State University of New York Press, 2004.

• "Horror," essay for Lexikon Populäre Kultur, ed. Hans-Otto Hűgel. Stuttgart: Metzler Verlag,. 2003

• "Celebrity." In The Encyclopedia of American Studies, 2002.

• "Entertainment: Show Biz Turns Big Biz," in Century of Change: America in Pictures, 1900-2000, ed. Richard B. Stolley. Boston: Little, Brown, 2000.

• "Jean Renoir," American National Biography, eds. John A. Garraty and Mark C. Carnes, 24 vols. Oxford, 1999.

• "The Genre of Nature," Refiguring American Film Genres, ed. Nick Browne. University of California Press, 1998.

• "Afterword: Rethinking Remakes" to Play It Again, Sam: Retakes on Remakes, eds. Andrew Horton and Stuart Y. McDougal. Berkeley: University of California Press. 1998.

• "Unturning the Century: The Missing Decade of the 1690s," Les Fins de Siécle: English Poetry in 1590, 1690, 1790, 1890, 1990, ed. Elaine Scarry. Johns Hopkins University Press, 1994.

• "Varieties of Literary Affection," The Profession of Eighteenth-Century Literature: Reflections on an Institution, ed. Leo Damrosch. University of Wisconsin Press, 1992.

• "An Interview with Leo Braudy" in Bill Moyers, A World of Ideas II. New York: Doubleday, 1990.

• "Sequel," in The International Encyclopedia of Communications, ed. Erik Barnouw. Oxford, 1989.

• "Genre and the Resurrection of the Past," Shadows of the Magic Lamp, ed. George E. Slusser and Eric S. Rabkin. Carbondale: University of Southern Illinois Press, 1985.

• "Succeeding in Language," The State of the Language, eds. Leonard Michaels and Christopher Ricks. University of California, 1980.

• "Realists, Naturalists, and Novelists of Manners," The Harvard Guide to Contemporary American Writing, ed. Daniel Hoffman, Harvard, 1979.

• "Rossellini: From Open City to General della Rovere," Great Film Directors: A Critical Anthology, eds. Leo Braudy and Morris Dickstein, Oxford, 1979.

• "Penetration and Impenetrability in Clarissa," in New Approaches to Eighteenth-Century Literature, ed. Phillip Harth. Columbia, 1974 (English Institute Essays).