Lenny Hambro - Musical Preferences

Musical Preferences

Hambro was widely known as a versatile, accomplished musician, and an instinctual, lyrical player with a keen musical sense. He played his alto with a light, sweeping style that moved along gracefully and, on ballads, had a sweet, singing tone that was, in essence, a trimmed-down version of Johnny Hodges' technique. There is little doubt that Hambro was influenced by Charlie Parker, and he was once described as mixing the styles of Benny Carter and Johnny Hodges. (Lenny was Duke Ellington's first choice to sit in with his band as saxophone lead, whenever Johnny Hodges was absent.) As a jazz aficionado and "insider", Hambro was fond of the musical stylings of Charlie Parker, Johnny Hodges, and Benny Goodman. His favorite arrangers included Neal Hefti (for Woody Herman, Count Basie, Alvino Rey, Georgie Auld, and Neal Hefti), Johnny Mandel (for Alvino Rey), and Chico O'Farrill (for Machito and Chico O'Farrill).

Although Hambro played a Selmer Alto saxophone on occasion, his favorite instrument was a Martin "Magna" alto sax. He used an Arnold Brilhart "Ebolin" Streamline Model 4* mouthpiece with a Vic Olivieri #4 reed. Hambro liked the "Magna" model alto sax for its brilliant sound, and believed the "Magna"-hard reed combination was less likely to play out of tune. During the 1950s, Hambro was often photographed with a Brilhart "Tonalin" ivory-colored Lucite mouthpiece. On clarinet, he also played a harder reed - a Vandoren #4. Lenny played a Martin "The Martin" tenor saxophone.

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