Culture
As well as being a site of historical interest, the Castle of Leiria provides a venue for cultural events . Situated close to the castle, the Church of Saint Peter (Igreja de São Pedro) is used as the venue of Leiria's annual festival of music. Leiria is also home to m|i|mo, Portugal's only Museum of the Moving Image and the Paper museum (Museu do moinho do papel) situated at the site of Portugal's first paper mill. The Theatre Miguel Franco in the market Sant'Ana (Mercado de Sant'Ana) and The Theatre José Lúcio da Silva are venues for theatre, music and dance performances, as well as cinema.
The city is the birthplace of several leading Portuguese poets, such as Afonso Lopes Vieira and Francisco Rodrigues Lobo, after whom the central square is named. Today the square is home to a thriving café culture, as well as being regularly used for cultural events. Other poetes: The King D.Dinis (Denis of Portugal) and the writer Eça de Queiroz who wrote his first realist novel, O Crime do Padre Amaro ("The Sin of Father Amaro"), which is set in the city and was first published in 1875. There are also Film and TV adaptations.
The city has several cultural associations and bookshops who give presentations of cultural and artistic projects, with Bookshop Arquivo and Cultural Association Célula Membrana offering the busiest calendar of events.
In recent years, Leiria has seen much re-development to the banks of the river Liz . These developments have created several new parks, public spaces, children's play areas and a series of themed bridges. Additionally, a long promenade has been created which is popular with both walkers and joggers.
There are several summer Festivals held in the region. The town hosts a monthly antiques market.
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Famous quotes containing the word culture:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“One of the oddest features of western Christianized culture is its ready acceptance of the myth of the stable family and the happy marriage. We have been taught to accept the myth not as an heroic ideal, something good, brave, and nearly impossible to fulfil, but as the very fibre of normal life. Given most families and most marriages, the belief seems admirable but foolhardy.”
—Jonathan Raban (b. 1942)
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)