Work With Mabou Mines
Lee Breuer is a founding artistic director of Mabou Mines Theater Company in New York City, which he began in 1970 with colleagues Philip Glass, Ruth Maleczech, JoAnne Akalaitis, David Warrilow, and Frederick Neuman.
Breuer's most recent work with Mabou Mines was the puppet opera, Red Beads, created in collaboration with puppeteer Basil Twist and composer Ushio Torikai. Of the September 2005 New York City premiere, the New York Times said: "… theater as sorcery; it is a crossroads where artistic traditions meet to invent a marvelous common language. It is a fairy tale, a puppet play and a chamber opera… amazing work."
His previous Mabou Mines production, Mabou Mines Dollhouse, a deconstruction of the Ibsen classic, won 2004 Obie Awards for Best Director and Best Performance. The production continues its international touring with upcoming featured engagements including Paris, Hong Kong, and tours in Europe, America, Asia and Australia. Another production is being planned for production in Buenos Aires and touring in South America, and a high definition video production is being planned for international production and release.
Most of Breuer's previous work with Mabou Mines premiered at The Public Theater (NYC) under the patronage of the late Joseph Papp, and at the La Mama Experimental Theater Club under the patronage of Ellen Stewart. These include his Obie-winning adaptation of three works by Samuel Beckett: Play, Come and Go and The Lost Ones.
He authored/directed Mabou Mines' trilogy, Animations, including The B Beaver, The Red Horse and The Shaggy Dog Animation, which was awarded the Obie for Beat Play in 1978. In 1980 Breuer received two Obies for writing and direction of his play, A Prelude to a Death in Venice. He also wrote and directed An Epidog, the winner of the President's Commission Kennedy Center-American Express Award for Best New Work.
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