Art
"Leah Gilliam's work examines how knowledge is produced and coded and how the conscious reorientation of cultural texts challenges their implications and constructions. In practice, she appropriates texts and uses them as a springboard to interpret larger issues of race, gender and sexual orientation."
Gilliam's work often focuses on technology and obsolescence. This preoccupation surfaces in many of her works. Her contributions to the "BitStreams" digital show at the Whitney Museum of American Art in 2001 were ancient Mac computers displaying fragments of old Super-8 movie trailers. Her 1998 CD-ROM Split: Whiteness, Retrofuturism, Omega Man worked with an 8 mm film trailer for Planet of the Apes and was described as a work that "obsessively looks back at outmoded media technologies." Another piece dealing heavily with the ideas of obsolescence, technology, and the reorientation of cultural texts, Gilliam's work Agenda for a Landscape received a great deal of attention during its stay from July 12 through September 22, 2002 at the New Museum of Contemporary Art.
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Famous quotes containing the word art:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
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