Late 20th Century
The late 20th century has seen a popular revival of the craft, which is now widely taught in technical colleges and practised by many artists, both commercial and hobbyists. With a revival of the craft, both abstract design and formalised pictorial motifs have flourished, as has the use of irregularly textured and patterned glass. Many leadlight artists employ simple pictorial forms that can be achieved without recourse to painting and firing. Recent formalised motifs have included butterflies, yachts on the ocean and a wide range of flora.
Whereas in the early 20th century the product of a small leadlighting studio generally reflected the trends in modern architecture, and was produced with great competence by professional craftsmen fully trained through apprenticeship, modern leadighting is increasingly the province of amateurs. The resultant product often demonstrates a lack of formal design training on behalf of the craftsperson, and a lack of awareness of stylistic trends.
The finer products of late 20th and 21st century leadlighting continue to display a mastery of the traditional technical skills, an awareness of design trends and original creative artistry.
Famous quotes containing the words late and/or century:
“All my life I believed I knew something. But then one strange day came when I realized that I knew nothing, yes, I knew nothing. And so words became void of meaning ... I have arrived too late at ultimate uncertainty.”
—Ezra Pound (1885–1972)
“The fact that women in the home have shut themselves away from the thought and life of the world has done much to retard progress. We fill the world with the children of 20th century A.D. fathers and 20th century B.C. mothers.”
—Charlotte Perkins Gilman (1860–1935)