Creating Lead Guitar Lines
To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of their solos or riffs. Such "tricks" can employ the picking hand used in the fret area (such as tapping), and even be augmented and embellished with devices such as bows, or separate electronic devices such as an EBow (electronic bow).
Some even like to play with their teeth or feet or other bodily appendages or the like, this is normally used as a performance technique in order to impress spectators. In a blues context, as well as others, lead guitar lines are created using call and response-style riffs that are embellished with string bending, vibrato, and slides.
Read more about this topic: Lead Guitar
Famous quotes containing the words creating, lead, guitar and/or lines:
“I have an intense personal interest in making the use of American capital in the development of China an instrument for the promotion of the welfare of China, and an increase in her material prosperity without entanglements or creating embarrassment affecting the growth of her independent political power, and the preservation of her territorial integrity.”
—William Howard Taft (1857–1930)
“There was ... a large, shaggy dog, whose nose, report said, was full of porcupine quills. I can testify that he looked very sober. This is the usual fortune of pioneer dogs, for they have to face the brunt of the battle for their race.... When a generation or two have used up all their enemies’ darts, their successors lead a comparatively easy life. We owe to our fathers analogous blessings.”
—Henry David Thoreau (1817–1862)
“Swiftly in the nights,
In the porches of Key West,
Behind the bougainvilleas
After the guitar is asleep,
Lasciviously as the wind,
You come tormenting.”
—Wallace Stevens (1879–1955)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)