Critical Reception
Reviewers of Dillon’s music have repeatedly noted his arresting ideas, technical skill, lyricism and wit. In a review of his fourth string quartet, the Washington Post cited the work’s “jewel-like craftsmanship,” saying, “Dillon’s control of time was a conspicuously imaginative element throughout.” Gramophone called his recording Insects and Paper Airplanes “Sly and mysterious…just when you thought the string quartet may have reached the edge of sonic possibilities, along comes a composer who makes something novel, haunting and whimsical of the genre… Each score is an arresting and appealing creation, full of fanciful and lyrical flourishes…Highly recommended.” And Musicweb International commented on “music that is often profound without being pretentious, sometimes light-hearted but never 'lite', humorous without being arch, and immensely appealing but never frivolous." Fanfare magazine called him “an original in the best sense of the word.”
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