Law & Order: Special Victims Unit (season 10) - Production

Production

The tenth season introduced writer Daniel Truly to SVU. He became a vocal correspondent about the production and was the first to comment on the appropriateness of Ice T's casting in the show given the alleged misogyny in his music. Truly was used to programs that included frequent meetings with other writers and said "In some ways it's slightly lonelier" of SVU.

The making of the episode "Lunacy" was covered in detail by authors Susan Green and Randee Dawn. The episode, which filmed between July 14 and July 28 of 2008, contained a scene in which detectives watch footage of an astronaut on board the International Space Station. In order to film the weightless scene, Kristina Klebe was harnessed into cables which were later edited out. Members of the production staff appeared as astronauts in a still picture. Another scene involved a fight between Detective Stabler and James Brolin's character. A table made of balsa wood and breakaway glass was used in this scene so that it could be broken easily. Early in "Lunacy", detectives learn that their evidence is degraded due to eels feasting on the body. Prop master Anthony Munafo mentioned that he spent eight hours finding a pet store that would sell them enough eels of the right size.

A later episode "Hell" condemned the activities of the Lord's Resistance Army in Uganda. Neal Baer collaborated with the Enough Project to portray child soldiers truthfully and called the episode part of a "continuing commitment to bring the audience stories that resonate with timely social issues." The filming of "Hell" marked the first on-location use of the United Nations building in a television episode.

During the tenth season, the director of photography George Pattison expressed his desire to continue using 35mm film. He said "Ours is one of the last shows doing that... Despite pressure from above to save money, Dick Wolf and our creative producers insist on sticking with a proven formula. Whether it's 100 or 0 degrees outside, these cameras work. And they give beautiful latitude compared with digital." Law & Order: Special Victims Unit continued using motion picture cameras for another two years but was ultimately switched to digital for Season 13.

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