Laurence Stallings - Works

Works

Books
  • Plumes, 1925.
  • Three American Plays, by Stallings and Maxwell Anderson (includes What Price Glory, First Flight, and The Buccaneer.), 1926
  • The First World War--A Photographic History, (edited by Stallings), 1933
  • The Doughboys, 1963
Periodicals
  • "Celluloid Psychology," New Republic, 33 (7 February 1923): 282-284.
  • "The Whole Art of a Wooden Leg," Smart Set, 70 (March 1923): 107-111.
  • "The Big Parade," New Republic, 40 (17 September 1924): 66-69.
  • "How a 'Great' Play Is Written," Current Opinion, 77 (November 1924): 617-618.
  • "Esprit de Corps," Scribner's, 84 (August 1928): 212-215.
  • "Turn Out the Guard," Saturday Evening Post, 201 (13 October 1928): 16-17, 96, 99-100.
  • "Gentleman in Blue," Saturday Evening Post, 204 (20 February 1932): 8-9, 95.
  • "Return to the Woods," Collier's, 89 (5 March 1932): 30-31, 52.
  • "Lt. Richard Plume Comes Home from the War," Scholastic, 25 (10 November 1934): 4-6.
  • "Bush Brigades and Blackamoors," American Mercury, 37 (April 1936): 411-419.
  • "The War to End War," American Heritage, 10 (October 1959): 4-17, 84-85.
  • "Bloody Belleau Wood," American Heritage, 14 (June 1963): 65-77.
Theatre Productions
  • What Price Glory, by Stallings and Maxwell Anderson, New York, Plymouth Theatre, 5 September 1924.
  • First Flight, by Stallings and Anderson, New York, Plymouth Theatre, 17 September 1925.
  • The Buccaneer, by Stallings and Anderson, New York, Plymouth Theatre, 2 October 1925.
  • Deep River, New York, Imperial Theatre, 4 October 1926.
  • Rainbow, by Stallings and Oscar Hammerstein II, New York, Gallo Theatre, 21 November 1928.
  • A Farewell to Arms, New York, National Theatre, 22 September 1930.
  • Eldorado, by Stallings and George S. Kaufman, New Haven, 19 October 1931.
  • Virginia, by Stallings and Owen Davis, New York, Center Theatre, 2 September 1937.
  • The Streets Are Guarded, New York, Miller's Theatre, 20 November 1944.
Screenplays
  • The Big Parade (M-G-M, 1925), story.
  • Old Ironsides (Paramount Famous Lasky, 1926), story.
  • Show People (M-G-M, 1928), treatment by Stallings and Agnes Christine Johnston.
  • Billy the Kid (M-G-M, 1930), dialogue.
  • Way for a Sailor (M-G-M, 1930), scenario and dialogue by Stallings and W. L. Rivers.
  • After Office Hours (M-G-M, 1935), story by Stallings and Dale Van Eveky.
  • So Red the Rose (Paramount, 1935), screenplay by Stallings, Edwin Justus Mayer, and Maxwell Anderson.
  • Too Hot to Handle (M-G-M, 1938), screenplay by Stallings, John Lee Mahin, and Len Hammond.
  • Stand Up and Fight (M-G-M, 1939), additional dialogue.
  • The Man from Dakota (M-G-M, 1940), screenplay.
  • Northwest Passage (M-G-M, 1940), screenplay by Stallings and Talbot Jennings.
  • The Jungle Book (United Artists, 1942), screenplay.
  • Salome, Where She Danced (Universal, 1945), screenplay.
  • Christmas Eve (United Artists, 1947), story by Stallings, Arch Oboler, and Richard H. Landau; screenplay; retitled Sinners' Holiday.
  • A Miracle Can Happen (United Artists, 1948), screenplay by Stallings and Lou Breslow; retitled On Our Merry Way.
  • 3 Godfathers (M-G-M, 1949), screenplay by Stallings and Frank Nugent.
  • She Wore a Yellow Ribbon (RKO, 1949), screenplay by Stallings and Nugent.
  • The Sun Shines Bright (Republic, 1954), screenplay.

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