Works
- Little House in the Big Woods (1932), awarded the Lewis Carroll Shelf Award in 1958.
- Farmer Boy (1933) – about her husband's childhood on a farm in New York
- Little House on the Prairie (1935)
- On the Banks of Plum Creek (1937), a Newbery Honor book
- By the Shores of Silver Lake (1939), a Newbery Honor book
- The Long Winter (1940), a Newbery Honor book
- Little Town on the Prairie (1941), a Newbery Honor book
- These Happy Golden Years (1943), a Newbery Honor book
- On the Way Home (1962, published posthumously) – a diary of the Wilders' move from De Smet, South Dakota to Mansfield, Missouri, edited and added to by Rose Wilder Lane.
- The First Four Years (1971, published posthumously)
- West from Home (1974, published posthumously) – Wilder's letters to Almanzo while visiting Lane in San Francisco
- The Road Back (Part of A Little House Traveler: Writings from Laura Ingalls Wilder's Journeys Across America, highlighting Laura's previously unpublished record of a 1931 trip with Almanzo to De Smet, South Dakota, and the Black Hills)
- A Little House Sampler, with Rose Wilder Lane, edited by William Anderson
- Writings to Young Women (Volume One: On Wisdom and Virtues, Volume Two: On Life As a Pioneer Woman, Volume Three: As Told By Her Family, Friends, and Neighbors)
- A Little House Reader: A Collection of Writings
- Laura Ingalls Wilder & Rose Wilder Lane (Letters exchanged by Laura and Rose)
- Little House in the Ozarks: The Rediscovered Writings
- Laura's Album (A Remembrance Scrapbook of Laura Ingalls Wilder, edited by William Anderson)
Read more about this topic: Laura Ingalls Wilder
Other articles related to "works, work":
... Krasicki's major works won European fame and were translated into Latin, French, German, Italian, Russian, Czech, Croatian, Slovene, Hungarian ... The broad reception of his works was sustained throughout the 19th century ... Krasicki has been the subject of works by poets of the Polish Enlightenment – Stanisław Trembecki, Franciszek Zabłocki, Wojciech Mier – and in the 20th century, by ...
... The titles of many Baroque works make mention of the continuo section, such as J ... most common combination, at least in modern performances, is harpsichord and cello for instrumental works and secular vocal works, such as operas ... In addition, the mere composition of certain works seems to require certain kind of instruments (for instance, Vivaldi's Stabat Mater seems to require an organ, and ...
... artist, producing over 4,000 original works in his lifetime ... Most of his works are either in public collections, or have been destroyed in fire or other misfortunes ... by his most popular of calendar works the "Four Seasons" illustrations for Brown Bigelow that were published for 17 years beginning in 1947 and reproduced in various styles and sizes since 1964 ...
1809 Wanda, 1810 Die Weihe der Unkraft, 1813, a recantation of his earlier work Martin Luther Kunigunde die Heilige, 1815 Geistliche Übungen für drei Tage, 1818 Die Mutter der Makkabäer, 1820 Zacharias Werner's ...
... The Works Progress Administration (renamed during 1939 as the Works Project Administration WPA) was the largest and most ambitious New Deal agency, employing millions of ... local and state histories, artists painted murals and other works for new federal post offices and other buildings ...
Famous quotes containing the word works:
“Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
—Johann Wolfgang Von Goethe (1749–1832)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)
“Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
—Samuel Johnson (1709–1784)