Career Performances
Following her European debut in Geneva, she sang Marie at Turin's Teatro Regio in Luca Ronconi's production and again as Ismene in Graham Vick's production of Mitridate, Rè di Ponto. She followed with Princess Rezia in Haydn's L'Incontro Improvviso for L'Opéra de Nice and L'Opéra de Bordeaux, and Serpetta in Mozart's La finta giardiniera at the Kennedy Center in Washington, D.C. with Patrick Summers conducting.
After her debut at La Scala in the title role of Linda di Chamounix with Marcelo Alvarez, she sang Marie in Rome and her first Sophie in Keith Warner's production of Der Rosenkavalier at the Spoleto Festival in Italy. Other appearances include her role-debut at L'Opéra de Lausanne as Adina in L'Elisir d'amore' and as Konstanze in Die Entführung aus dem Serail with Vlaamse Opera, a role she reprised at the Berlin Staatsoper and again in 2011 at the Grand Théàtre de Genève.
Following success at Houston Grand Opera as Gilda in Rigoletto in 2001, Laura Claycomb forged a special relationship with audiences in Houston, returning to sing Lucia di Lammermoor, Cleopatra in Giulio Cesare, Ilia in Idomeneo and the title role of La Fille du Régiment.
In Trieste, Ms. Claycomb debuted the role of Ophelie in Thomas' Hamlet; in Toulouse, she debuted Philine in Mignon; and at Brussels' Théâtre de la Monnaie, she debuted Tytania in Britten's A Midsummer Night's Dream.
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“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
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