Laughter in Literature - Laughter and The Brain

Laughter and The Brain

Neurophysiology indicates that laughter is linked with the activation of the ventromedial prefrontal cortex, that produces endorphins. Scientists have shown that parts of the limbic system are involved in laughter. This system is involved in emotions and helps us with functions necessary for humans' survival. The structures in the limbic system that are involved in laughter: the hippocampus and the amygdala.

The December 7, 1984, Journal of the American Medical Association describes the neurological causes of laughter as follows:

"Although there is no known 'laugh center' in the brain, its neural mechanism has been the subject of much, albeit inconclusive, speculation. It is evident that its expression depends on neural paths arising in close association with the telencephalic and diencephalic centers concerned with respiration. Wilson considered the mechanism to be in the region of the mesial thalamus, hypothalamus, and subthalamus. Kelly and co-workers, in turn, postulated that the tegmentum near the periaqueductal grey contains the integrating mechanism for emotional expression. Thus, supranuclear pathways, including those from the limbic system that Papez hypothesised to mediate emotional expressions such as laughter, probably come into synaptic relation in the reticular core of the brain stem. So while purely emotional responses such as laughter are mediated by subcortical structures, especially the hypothalamus, and are stereotyped, the cerebral cortex can modulate or suppress them."

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Famous quotes containing the words laughter and the, laughter and, laughter and/or brain:

    Of how he loved high laughter and the lonely
    Heart, and cursed a dissipated rime
    Of weariness in a golden morning, only
    To rouse a cold Helen where the dawn distils
    Her bewildered beauty on feet-forgotten hills.
    Allen Tate (1899–1979)

    Laughter and grief join hands. Always the heart
    Clumps in the breast with heavy stride;
    The face grows lined and wrinkled like a chart,
    The eyes bloodshot with tears and tide.
    Let the wind blow, for many a man shall die.
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    I would not unduly praise the virtue of restraint. It is often merely temperamental. But it is not always a sign of coldness. It may be pride. There can be nothing more humiliating than to see the shaft of one’s emotion miss the mark of either laughter or tears. Nothing more humiliating! And this for the reason that should the mark be missed, should the open display of emotion fail to move, then it must perish unavoidably in disgust or contempt.
    Joseph Conrad (1857–1924)

    To the artist is sometimes granted a sudden, transient insight which serves in this matter for experience. A flash, and where previously the brain held a dead fact, the soul grasps a living truth! At moments we are all artists.
    Arnold Bennett (1867–1931)