History
Rock music has been produced in Latin America since the late 1950s. Some Rock bands started to use unusual instruments such as maracas and quenas. In the late 1960s, artists like Santana started using a different technique to make Rock music; by incorporating influences of Latin Jazz. Its sound was incorporated by young Latino-players on the US, as an answer to the Rock en Español movement in Latin America, led by bands like Soda Stereo, Caifanes or Los Prisioneros.
In the early 1990s, it was used by Mexican bands such as Maldita Vecindad and Café Tacuba. They were accepted on the Latino circuit in the US, especially by the Mexican community, as any Rock en Español band had made ever. Latin Alternative was born.
With the passage of time and many musical styles in the US-Latino, Latin Alternative has become as diverse as the Rock music genre itself. Today, many music journalists and fans regard Latin Alternative as a subgenre of Rock en Español, and like Rock en Español, it may be further divided into more specific genres of music.
Read more about this topic: Latin Alternative
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“Gossip is charming! History is merely gossip. But scandal is gossip made tedious by morality.”
—Oscar Wilde (18541900)
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (18381918)
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)