Lateral Movement - Movements With Sideways Motion

Movements With Sideways Motion

The side pass (also called the full pass or full travers), leg yield, and half-pass all ask the horse to move sideways.

The leg-yield and half-pass are seen in dressage, and require the horse to have forward movement, resulting in the horse moving in a diagonal line. The main difference between the two movements is the direction of bend: with the horse bent in the direction of travel in the half-pass, and kept straight in the leg-yield. Therefore, the half-pass is much more difficult, requiring greater engagement and collection from the horse. It is important to note that the half-pass is a variation on the three-track movement, haunches-in, although it is a two-track movement itself.

In the side pass, the horse moves sideways without stepping forward, and must be executed from a halt. It originated in the cavalry, to help correct the spacing of two horses that were side-by-side in a line. Today it is seen used in the western disciplines, or by police horses. Additionally, it is seen in the lower-level dressage tests in Austria.

These movements teach the horse to properly move sideways away from leg pressure.

Read more about this topic:  Lateral Movement

Famous quotes containing the words movements and/or motion:

    Awareness of the stars and their light pervades the Koran, which reflects the brightness of the heavenly bodies in many verses. The blossoming of mathematics and astronomy was a natural consequence of this awareness. Understanding the cosmos and the movements of the stars means understanding the marvels created by Allah. There would be no persecuted Galileo in Islam, because Islam, unlike Christianity, did not force people to believe in a “fixed” heaven.
    Fatima Mernissi, Moroccan sociologist. Islam and Democracy, ch. 9, Addison-Wesley Publishing Co. (Trans. 1992)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)