Lateral Movement - Movements in One Place

Movements in One Place

There are three movements in place that are commonly used in dressage training: turn on the forehand, turn on the haunches, and the pirouette. Additionally, the pivot on the hindquarters and turn on the center are seen in Western riding. The roll-back turn, seen in jumping events and in reining, is a variation on the pirouette. All these movements are performed in relatively one place, in a circular motion.

The turn on the forehand is the simplest of the exercises, asking the horse to move his hindquarters around his forehand, so that the hindquarters inscribe an arc. The turn on the haunches asks the horse to move his forehand around the hindquarters, so that the forelegs inscribe an arc, with the horse bent in the direction of the turn. It is therefore more difficult than the turn on the forehand, requiring better balance and engagement. The pirouette is the most difficult and advanced maneuver, asking the horse to bend in the direction of movement and remain engaged, and requiring collection.

The pivot on the hindquarters (or spin) is commonly seen in reining, and asks the horse to ground the inside hind leg and pivot forelegs around that point. The turn on the center asks the horse to turn around an imaginary pivot point located at the center of his barrel. The horse bends in the direction of the turn, moving his forehand in the direction of the turn and his hind end in the opposite direction. This allows the horse to turn in a very confined area. Neither movement is practiced today in dressage (although the turn on the center used to be a training movement in the 18th century).

These movements ask the horse to move away from leg pressure while bent, sending the energy of the horse on a circular rather than sideways path, and therefore require a greater application of the restraining aids.

Read more about this topic:  Lateral Movement

Famous quotes containing the words movements and/or place:

    His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.
    Vladimir Nabokov (1899–1977)

    The impersonal insensitive friendliness which takes the place of ceremony in that land of waifs and strays.
    Evelyn Waugh (1903–1966)