Literary Career
In 1983, McCaffery published two books in the field of postmodern literary studies. The first was The Metafictional Muse: The Works of Coover, Gass, and Barthelme, which explored the emergence of the "meta-impulse" as one of the defining features of postmodern aesthetics. The second was Anything Can Happen: Interviews with Contemporary American Novelists (with Tom LeClair), which helped identify the major innovative authors associated with postmodernism.
McCaffery went on to publish three additional collections of interviews with contemporary authors: Alive and Writing: Interviews with American Authors of the 1980s with Sinda Gregory (1986), Across the Wounded Galaxies: Interviews with Contemporary American Science Fiction Authors (1990), and Some Other Frequency: Interviews with Innovative American Authors (1995). McCaffery explains that the interviews within these works begin orally, and, after being transcribed from tape and edited by both McCaffery and the interviewee, become "collaborative texts based on an actual conversation rather than a direct rendering of that conversation". These seminal works established "avant-prof" critic Lance Olsen to dub McCaffery as "Guru of the Interview"
During his career as Professor at SDSU, McCaffery played a large role as editor of literary journals. In 1983, McCaffery arranged to have the literary journal, Fiction International move to SDSU from New York, where it had been edited and published by Joe David Bellamy since 1973. McCaffery served as co-editor of FI with Harold Jaffe for the next decade, during which it became one of the leading publishers of radically innovative, politically charged fiction. Since the early eighties, he has also been an editor of American Book Review, and executive editor of Critique: Studies in Contemporary Fiction. McCaffery has guest-edited several special issues of other literary magazines, including Mississippi Review's landmark "Cyberpunk Issue.
McCaffery's most important work may be Storming the Reality Studio, for its role in placing science fiction and cyberpunk within the field of postmodern studies. an anthology featuring the fictional work of authors such as William Gibson, Samuel R. Delany, Don DeLillo, Kathy Acker, and Harold Jaffe, as well as non-fiction by writers such as Jean Baudrillard and Jacques Derrida. Other notable anthologies are Avant-Pop: Fiction for a Daydream Nation (1993) and After Yesterday's Crash: The Avant-Pop Anthology (1997).
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