Music
Lara Saint Paul has worked with many notable talents in the music industry. Her songs Non preoccuparti and Adesso ricomincerei were produced and arranged by American producer Quincy Jones in 1973. In the same year she released an Italian cover version of Killing Me Softly with His Song, originally composed by Charles Fox and Norman Gimbel, titled Mi fa morir cantando. Lara Saint Paul has worked and performed with notables such as Ray Charles, Lionel Hampton, Louis Armstrong, Roberta Flack, Frank Sinatra and Stevie Wonder. Her popular 1977 album Saffo Music, recorded in Los Angeles and produced by Leon Ware, featured The Pointer Sisters on backing vocals, guitar by Ray Parker Jr., bass by Chuck Rainey and was mixed by Bill Conti. One of her 1970s tracks, So, is featured on several current popular lounge music compilations.
The largest markets for her music outside of Italy and Europe are Argentina, Brazil and Japan, and she also performed and released successful albums in the Eastern Bloc, such as her Bulgarian releases of Recital at the Festival of the Golden Orpheus in 1972, Saffo Music, and Bravo in 1981. The majority of her work was released in Italy on the record label Company Discografica Italiana (CDI) and later LASAPA, both of which she owned with her husband, Italian producer and showman Pier Quinto Cariaggi.
Read more about this topic: Lara Saint Paul
Famous quotes containing the word music:
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)
“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (1889–1963)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)