Lapping

Lapping is a machining operation, in which two surfaces are rubbed together with an abrasive between them, by hand movement or by way of a machine.

This can take two forms. The first type of lapping (traditionally called grinding), typically involves rubbing a brittle material such as glass against a surface such as iron or glass itself (also known as the "lap" or grinding tool) with an abrasive such as aluminum oxide, jeweller's rouge, optician's rouge, emery, silicon carbide, diamond, etc., in between them. This produces microscopic conchoidal fractures as the abrasive rolls about between the two surfaces and removes material from both.

The other form of lapping involves a softer material such as pitch or a ceramic for the lap, which is "charged" with the abrasive. The lap is then used to cut a harder material—the workpiece. The abrasive embeds within the softer material which holds it and permits it to score across and cut the harder material. Taken to a finer limit, this will produce a polished surface such as with a polishing cloth on an automobile, or a polishing cloth or polishing pitch upon glass or steel.

Taken to the ultimate limit, with the aid of accurate interferometry and specialized polishing machines or skilled hand polishing, lensmakers can produce surfaces that are flat to better than 30 nanometers. This is one twentieth of the wavelength of light from the commonly used 632.8 nm helium neon laser light source. Surfaces this flat can be molecularly bonded (optically contacted) by bringing them together under the right conditions. (This is not the same as the wringing effect of Johansson blocks, although it is similar).

Read more about Lapping:  Operation, Two-piece Lapping, Accuracy and Surface Roughness

Famous quotes containing the word lapping:

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)