Lai Haraoba - The Festival - Celebration

Celebration

The complete festival begins in the day time of the second day. It has about twenty steps or items in it. Laiboula thaba is the most important part of the beginning of laibou shaba (creation of the Universe and the synthesis of the human body).

A plantain leaf on the specific place represents the unseen God manifesting the world. The maibi with all the participants who also join in the lai ikouba and lei langba should move around the plantain leaf three times symbolising the manifestations of Mangnag Kuru Shidaba, Luwang Kuru Shidaba, and Khuman Kuru Shidaba (clan deities). After this the maiba and maibis stand erect before the deity and pray for the beginning of the laibou. At this time no one should move, speak and change his/her position. No one could come in or out of the laibung during this item, Hoirou Haya Laoba.

The maibi begins to move in the form of the Khayom jagoi (a dance with hands at the level of the navel) with the Hoirou Haya hymn. When the maibi sings "Hayingeina noibadi meina waina noiye; he tangna shamna noiye" all the participants begin to move their footsteps without dancing their hands and body. In laibou shaba the maibi narrates with hymns and dances the creation of this universe; the sun, the stars, the planets, the moon, the earth, air, water, etc. After making this earth inhabitable, the dances shows the creation of all beings including man. In the case of man, the different parts: the hand, the fingers, the palms, the arms, the head, the neck, the eyes, the body, the thigh, the feet, the toes, and all the other parts are made with the hymns and dances in different khut-theks (hand movements).

There are sixty four important khut-theks (hand gestures) for making the human body. All are shown with very fine, attractive and meaningful dances representing the development of the human body in twelve months in the parents' womb. Then the building of houses, starting of agriculture and other stages of human development are played. The last part of the dance confines with the songs, paosha isheis, for the welfare of all the individuals. The control of lust, keeping strict discipline of celibacy and control of the mind are very clearly and forcefully sung to remind all the participants the importance and the value of life in this human birth.

Lairen Mathek and chongkhong litpa are played to represent the continuity of human life. Kanglei-thokpa or lai-lam-thokpa is a play of the festival performed outside the laibung, in any place suitable for assembling greater number of participants.

Lairoi (the end of haraoba) is very important and it includes performances:

• Ougri Hangen (the song of the control of mind)
• Khencho (the concept of the third birth or the next birth or the human birth)
• Hijan Hirao (the song of cutting big trees for two big boats: one for the male deity, the other for the female deity and with which boat race is held) are sung

On the next day of lairoi, Mukna (Meitei wrestling), kangjei (meitei hockey/polo), and races are held and prizes are given to those who win in the competitions of sports and games. Thus, Lai Haraoba is the only cultural activity in which social, philosophical and religious life of the Meiteis are depicted very deeply and carefully. With this cultural activity, the continuous thought of the people of this culturally rich land is preserved from the long gone days never decaying and fading.