The Kyiv Academic Style of Bandura Playing is a way of playing the Ukrainian folk instrument of bandura.
The instrument is held between the knees perpendicular to the body of the player. This means that the left hand is only able to play easily along the bass strings of the instrument. The right hand usually plays just on the treble strings known as prystrunky.
The manner in which the instrument is held influences the technique used by the bandurist. The left hand uses only three fingers in play. The position in which the bandura is held also means that the 5th finger of the right hand cannot be used effectively.
The Kyiv style is based on the technique used by kobzari of the Chernihiv province such as Tereshko Parkhomenko. It became known as the Kyiv style because the Kyiv Bandurist Capella used it. Before World War II, most Kiev banduras had diatonically tuned bass strings. Since World War II in Ukraine, chromatic bass tuning is the standard. In the West, however, groups of bandurists exist that adhere to a diatonic bass tuning. Often these bandurists will refer to their playing style as the Chernihiv style of playing the bandura.
Famous quotes containing the words academic and/or style:
“Short of a wholesale reform of college athleticsa complete breakdown of the whole system that is now focused on money and powerthe womens programs are just as doomed as the mens are to move further and further away from the academic mission of their colleges.... We have to decide if thats the kind of success for womens sports that we want.”
—Christine H. B. Grant, U.S. university athletic director. As quoted in the Chronicle of Higher Education, p. A42 (May 12, 1993)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)