Kumaran Asan - Early Works

Early Works

Some of the earlier works of the poet were Subramanya Sathakam and Sankara Sathakam, wherein Asan voiced his devotional aspirations. His short poem Veena Poovu (fallen flower) is a literary classic. It paved the way for a new movement in Malayalam literature. His elegy Prarodanam mourns the death of his contemporary and friend A. R. Raja Raja Varma, the famous grammarian. His Khanda Kavyas (poems) like Nalini, Leela, Karuna and Chandaalabhikshuki won critical acclaim as well as popularity. In Chintaavishtayaaya Seetha (Seetha Lost in Thought or The Meditations of Sita) he displays his poetic artistry, while in Duravastha, he patiently and skilfully tears down the barriers created by feudalism, orthodoxy and casteism and consummates the dictum of the Guru, “One Caste, One Religion, One God for man”.

He wrote the epic poem Buddha Charitha for which he got inspiration from Edwin Arnold’s Light of Asia. While in Duravastha, he revealed his revolutionary zeal for fighting caste distinctions; a few other poetic works had a distinct Hindu/Buddhist slant.

He died aged 51 as a result of a boat accident in January 1924 while returning to Kollam from a function in Alappuzha. The boat capsized at Pallana and all on board drowned. Kumaranasan was the only poet in Malayalam who became mahakavi without writing a mahakavyam.

Read more about this topic:  Kumaran Asan

Famous quotes containing the words early and/or works:

    The Americans never use the word peasant, because they have no idea of the class which that term denotes; the ignorance of more remote ages, the simplicity of rural life, and the rusticity of the villager have not been preserved among them; and they are alike unacquainted with the virtues, the vices, the coarse habits, and the simple graces of an early stage of civilization.
    Alexis de Tocqueville (1805–1859)

    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
    Benjamin Haydon (1786–1846)