Kulhudhuffushi - Culture and Traditions

Culture and Traditions

Kadhaa Maali: A Folk dance from kulhudhuffushi

This dance, of which the origin is unknown and dates back a few centuries, survives only in Kulhudhuffushi in south Thiladhunmathi Atoll. The performance is initiated by the beating of a number of drums and a "Kadhaa", an instrument made up of a copper plate and a copper rod.

With the music which is emanated from the beating of the drums and the Kadhaa, a large number of people usually about 30 men, dressed in different postures and costumes, take part in the dance. The costumes depict different types of evil spirits and ghosts. These evil spirits or ghosts are referred to as "Maali".

The dance is associated with the traditional congregation of the elders of the island who practise a late night walk around the island to ward off the evil spirits believed to be associated with terrible sickness and epidemics prevalent in the island community. The midnight walking usually begins after the late evening prayer, would continue for three consecutive nights and on the third night as to mark the end of the working the island community will engage in different types of music and dancing. This is a prelude to Kadhaamaali which is the final and the major event of the night.

While Kadhaamaali is being performed, people of different trades will come to the venue on a group by group basis bringing along with them their instruments, displaying their skill and craftsmanship in the form of a dance. Once their performance is over they would simply go leaving the Kadhaamaali dancers who would continue dancing until it was all over by about midnight. At present Kadhaamaali is performed only during festivals. In earlier days the dance was performed by the island folk in times of terrible sickness.

Read more about this topic:  Kulhudhuffushi

Famous quotes containing the words culture and/or traditions:

    Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.
    —Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)

    ... the more we recruit from immigrants who bring no personal traditions with them, the more America is going to ignore the things of the spirit. No one whose consuming desire is either for food or for motor-cars is going to care about culture, or even know what it is.
    Katharine Fullerton Gerould (1879–1944)