Personal Life
In 2009, Chenoweth wrote a memoir entitled A Little Bit Wicked: Life, Love, and Faith in Stages, describing her life and career, including her adoption, her turn in Wicked and her time in Hollywood. The book was released on April 14, 2009. It spent two weeks on The New York Times Best Seller list.
She has spoken publicly about her religious faith; she describes herself as a "non-judgmental, liberal Christian".
According to The New York Times, when Chenoweth "assured her theater fans that she supports gay rights her Christian base was outraged; she was disinvited from performing at a Women of Faith conference in September 2005." Chenoweth released an album in April 2005, As I Am, a mixture of hymns and contemporary Christian music, with adult contemporary arrangements. To promote the album, she made an appearance on The 700 Club which upset some of her gay fans. She later said she thought that the "Pat Robertsons and Jerry Falwells of the world are scary" and that she regretted appearing on the show.
She dated producer/writer Aaron Sorkin. In Sorkin's Studio 60 on the Sunset Strip, the character of Harriet Hayes bears significant resemblances to Chenoweth, and the relationship between the Christian Hayes and "East coast liberal Jewish atheist" (Hayes' description) Matt Albie is modeled after that of Chenoweth and Sorkin. For example, Chenoweth's decision to appear on The 700 Club and her falling out with Women of Faith were depicted with the Hayes character.
Chenoweth suffers from Ménière's disease, an inner-ear disorder that can cause vertigo, headaches and nausea, among other symptoms. She has said that, during some performances, she has had to lean on her co-stars to keep her balance and that it has caused her to miss performances.
In May 2010, Chenoweth wrote in response to an article in Newsweek by Ramin Setoodeh, an openly gay writer. Setoodeh thought that her Tony-nominated Promises, Promises co-star, Sean Hayes, "comes off as wooden and insincere" in playing the straight character Chuck, and that Jonathan Groff has a similar credibility problem in the TV show Glee. He questioned whether any openly gay actor could acceptably portray a straight character. Chenoweth called the article "horrendously homophobic" and criticized Setoodeh's view as rationalizing "the same kind of bullying" that gay youths face in high school. Chenoweth argued that audiences "come to the theater to go on a journey" and do not care about an actor's sexual orientation. The story was picked up by major media including The New York Times and the Los Angeles Times.
Read more about this topic: Kristin Chenoweth
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