Krishna Kumari (actress) - Career

Career

Krishna Kumari started her career with movie Navvithe Navaratnalu in 1951. She featured as leading actress in several Tamil movies, notably Thirumbi Paar (1953), Manithan (1953), Azhagi (1953), Pudhuyugam (1954), Viduthalai (1954) and Thuli Visham (1954). Krishna Kumari then began to focus on Telugu cinema, which propelled her to superstardom. Her movies Bharya Bhartalu (1961), Vagdanam (1961), Kulagothralu (1962), Gudi Gantalu (1964) remain some of Telugu cinema's classics. In the early 60s, Krishna Kumari entered the Kannada film industry briefly, choosing to return to her preferred Telugu cinema within years. But in the short span of 5-6 years, she gave memorable performances, most of them co-starring Dr Rajkumar. In fact, her first ever award was for the Rajkumar starrer, Bhaktha Kanakadasa (1960). In Hindi, she acted in Kabhi Andhera Kabhi Ujala (1958). She was rechristened Rati but again, Hindi cinema held no attraction for Krishna Kumari. Although there were several offers in Hindi cinema, she returned to Madras. Her most successful movies have been with Akkineni Nageswara Rao, NT Rama Rao and also several mythological roles with Tadepalli Lakshmi Kantha Rao.

Read more about this topic:  Krishna Kumari (actress)

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)