Krayzie - Style and Technique

Style and Technique

Bone's style can be described as melodic, yet rapid-fire and gangsta. Their flow is often interwoven at a high-speed Chopper style, melodic pace or slow, harmonic pace. They also tend to ride the beat that they're rapping over. They often describe their style as the "flip flop flow". Sometimes there are very few choruses separating their verses from one another. In the beginning, circa Faces of Death, Bone used a pseudo-Jamaican patois delivery with their trademark style, though they rarely do this now. Bone's subject matter has both spiritual and occult undertones (e.g., "Hell Sent", "Intro", "Mr. Ouija", "Mr. Ouija 2" and "Da Introduction"). At first, their subject matter was almost always exclusively about violence, death and smoking marijuana. Today, however, their subject matter includes other topics such as urban socio-political issues, positive messages, their old friend and mentor Eazy-E and religion. Besides minor changes to subject matter and sound, their lyrical style, elocution, and overall methodology remain intact and have influenced many new artists today who have picked up this unique style.

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Famous quotes containing the words style and, style and/or technique:

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
    John Fiske (b. 1939)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)

    The moment a man begins to talk about technique that’s proof that he is fresh out of ideas.
    Raymond Chandler (1888–1959)