Style and Technique
Bone's style can be described as melodic, yet rapid-fire and gangsta. Their flow is often interwoven at a high-speed Chopper style, melodic pace or slow, harmonic pace. They also tend to ride the beat that they're rapping over. They often describe their style as the "flip flop flow". Sometimes there are very few choruses separating their verses from one another. In the beginning, circa Faces of Death, Bone used a pseudo-Jamaican patois delivery with their trademark style, though they rarely do this now. Bone's subject matter has both spiritual and occult undertones (e.g., "Hell Sent", "Intro", "Mr. Ouija", "Mr. Ouija 2" and "Da Introduction"). At first, their subject matter was almost always exclusively about violence, death and smoking marijuana. Today, however, their subject matter includes other topics such as urban socio-political issues, positive messages, their old friend and mentor Eazy-E and religion. Besides minor changes to subject matter and sound, their lyrical style, elocution, and overall methodology remain intact and have influenced many new artists today who have picked up this unique style.
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Famous quotes containing the words style and, style and/or technique:
“A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.”
—Coco Chanel (1883–1971)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)