Appearances in Fiction
Koshien plays a big part in many baseball manga series, including Touch, Cross Game and H2 by Mitsuru Adachi and in other Authors works like Higuchi Asa's Ōkiku Furikabutte and Rookies by Masanori Morita. It was also talked about in Major (manga) where Koshien is the aim of all high school baseball teams to play there. The park also plays a part, in name, in the anime Princess Nine. The events of the 2-hour Detective Conan special episode Miracle at Koshien Ball Park! The Defiants Face the Dark Demon take place in the stadium. In the light novel and anime adaptation of Melancholy of Haruhi Suzumiya (specifically the episode Melancholy of Haruhi Suzumiya Part 5), Haruhi's explanation of why she searches for the supernatural involves a baseball game she viewed with her family in Koshien. The stadium also appears as a stage in the fighting game The King of Fighters '97, crowded and adapted for the KOF tournament, with the fighters standing on a catwalk-like structure. In Nodame Cantabile, the heroine Megumi Noda kept a bag of soil from Koshien Stadium. In Angel Beats!, Hinata says he was part of a baseball team that was aiming to play in Koshien.
Read more about this topic: Koshien Stadium
Famous quotes containing the words appearances and/or fiction:
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)